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Museum.
BERLIN.
Section. 3. 101
Room 20: German Renaissance Sculptures. The windows
contain admirable *Stained Glass from designs by Hans Baldung
Grien (from a church near Freiburg). By the entrance-wall: Tyro-
lese Master (ca. 1480), Large altar of the Virgin. In the case by
the window: Small carvings in mother-of-pearl and wood, e. g.
Swabiau School, Madonna (end of 15th cent.). — On the long wall:
No. 1222. Meister von Schbppingen (School of Soest), Winged altar
with the Crucifixion and Passion; to the left, 1235a. Master of the
Glorification of Mary, Adoration of the Child; to the right, 1235.
Master of the Life oftlie Virgin, Virgin with the Holy Women in
a garden. Numerous sculptures from the Lower Rhine. On the
end-walls: 1205, 1206. Middle Rhenish Master, Two large altar
panels (ca. 1440); below them to the left, Lower Rhenish Master,
Madonna and Child. In the case by the window: Ivory carvings in
the baroque style and mother-of-pearl carvings. — In the middle of
the room, Bronze fountain from the workshop of Peter Vischer.
The adjoining glass - cabinets contain plaquettes by Peter Vischer
the Younger and others,' and statuettes (632. Leygebe, The Great
Elector as Bellerophon).
Room 21: German Sculptures of the Renaissance, Baroque,
and Rococo Periods. Entrance-wall: 341. Hans Duucher, Altar
with the Passion, in limestone; 405a. Peter Flbtner (?), Painted
wooden statuette of a boy-musician. — On the rear-wall: Nos. 418,
419. Jan. de Zar, Painted terracotta busts of Willibald and Anna
Imhof (Nuremberg, ca. 1570). At the window, 404. Georg Lahen-
wolf, Bust of Frederick II. of Denmark (?). By the exit-wall, Fran-
conian Master (ca. 1500-20), Madonna, terracotta statuette (after
Cranach); 364a. Jodocus Vredis (Westphalian School, ca. 1500),
Madonna adored by angels. — In the glass-cabinet in the middle:
above, 608. Konrad Meit of Worms (ca. 1525), Boxwood bust of a
young man; 400a. Netherlandish Muster (period of Jan van Eyck),
Virgin and Child; 588. Heinrich Hufnugel (Augsburg, 1432), Sil¬
ver-gilt figure of the Madonna; 370. Lower Rhenish Muster (ca.
1430), Madonna with the grapes; below (under No. 588), Ratisbou
Master (ca. 1525), St. Sebastian; reliefs in limestone, alabaster,
and soapstone by Hans Daucher, Peter Flbtner, and Ludwig
Krug.
Rooms 23-24: German Sculptures of the Romanesque and
Gothic Periods. The chronological arrangement begins at the end
of Room 24, where the west gallery from the church of Kloster-
Groningen is built into the wall: Christ among the Apostles (stucco
reliefs, 12th cent.). Below, 1216a. Westphalian School (ca. 1225),
Triptych representing Christ before Caiphas, the Crucifixion, and
"the Holy Women at the Sepulchre. On the long wall: at the top,
1216b. Westphalian School (after 1250), Triptych of the Trinity
between the Virgin and St. John. Lower: 2X6. Three heads from