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Museum.
BERLIN.
Section 3. 103
chaste expression. Beside it, 563d. and 563a. Strigel, Four saints.
Back waU: Coronation of the Virgin (Swabiau School; ca. 1500);
358. Birth of the Virgin (Swabiau School; ca. 1510). — In the
third compartment, right back-wall: 334. Swubian School (ca.
1500), Winged altar with the Adoration of the Magi. On the right
front wall, works by Tilmun Riemenschneider: No. 325 f. Christ
appearing to Mary Magdalen (early work); 325e. Trinity; 325a.
Angels' concert; 321-324. Four saints; on the left wall: 318. Ma¬
donna; 313-316. The four Evangelists; 320. Mourning women (from
a Passion scene); 325d. Pieta. On the left back-wall in the style of
Riemenschneider: 319. Virgin handing the bottle to the Child.
The two doors at the end of the room lead into the section of
*Italian Renaissance Sculpture, containing mainly works in
painted terracotta and stucco, the works in marble and in glazed
terracotta being on the upper floor. The arrangement begins at the
right end of the suite of rooms with —
Room 26: Florentine Terracottas of the early 15th Cen¬
tury. On the wall opposite the entrance: no number, Florentine
Master (ca. 1450), Crucifixion; beside it, 151, 152. School of Siena
(ca. 1440i, Annunciation, agroup in wood. — On the long wall various
works by the so-called Master of the Pellegrini Chapel (Verona):
Nos. 108, 108a, and 107 (at the window); also (no number) Jacopo
delta Quercia, Madonna and Child.
Room 25 contains chiefly works by Donatello and Luca della
Robbia and their pupils. On a buffet: No. 141. Painted terracotta
bust of Giov. Rucellai; on the walls, numerous Madonnas by Dona¬
tello. In the middle, Chimney-piece by Francesco di Simone; to
the left of it, 148. Terracotta bust of Lorenzo de' Medici, surnamed
il Magniflco. Above the chimney-piece, *39a. Donatello, Madonna
and Child, painted and gilded, in an old frame. — Towards the exit
are works by Luca della Robbia and his pupils: 115, 113. Lunettes,
Madonna between angels; 114. Madonna with angels and saints. —
In the centre, before the window, glass-case with small sculptures:
94. Andrea Verrocchio, Model of a kneeling Mary Magdalen; 639r.
Venetian School, St. Sebastian in boxwood; 64X. Giovanni della
Robbia, Savonarola.
Room 22, chiefly works by Verrocchio. Above a chest: *97a.
Model of a relief of the Entombment; 103. Bust of a youth; 96,
97. Recumbent nude boys. To the right of the door: *93. Sleeping
youth; 150f. Matteo Civitale, Model of a small altar.
Room 19: Florentine and Paduan Terracotta Works of the
late 15th Century. To the left of the entrance: Desiderio da
Settign.auo, Virgin and Child. On the long wall, no number, Bene¬
detto da Maiano, Vision of Innocent III.; 149, 85. Busts of St.
Catharine of Siena and of Filippo Strozzi. Between these, (it. An¬
tonio Rosselli no, Adoration of the Child, unpainted terracotfa relief,