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Picture Gallery. BERLIN. Section 3. 113
18. Fr. Hals, Fisher-girl; no number, * Rembrandt, Portrait of a
scholar (1645;; 6. Antonio Canute, Caual Grande at Venice.
Cabinet 60. Small Flemish Pictures and Miniatures. To
the left: 776d. Rubens, Sunset. — 866e. Teniers, Neptune and Am-
phitrite; Elsheimer, 664 a. Nymph bathing, 664 c. Arcadian land¬
scape, 664d. Mercury and Argus, 664e. Sylvan landscape with the
death of Argus. — Rubens, 780. Madonna and saints, 798 k. Pieta.
Room 63. Large Rubens Saloon. — To the left: 782a. A. van
Dyck, Satyrs and nymphs; Rubens, *762b. Conversion of St. Paul,
a most animated composition, painted about 1617, *762 c. Diana and
nymphs surprised by satyrs, a masterpiece of his latest period, 762.
Coronation of the Virgin. A. van Dyck, *782b, *782c. Portraits
of a Genoese nobleman and his wife, masterpieces of the master's
Genoese period (formerly in the collection of Sir Robert Peel), *778.
Pieta (ca. 1627); 774. Rubens and Snyders, Diana at the chase;
Rubens, 783. Raising of Lazarus (partially by A. van Dyck), 763 a.
Repentant Magdalen (a late work); *776a. Neptune and Amphitrite,
a characteristic and well-composed work of his early period; 776 b.
Bacchanal (partially painted by A. van Dyck). — 790f. A. van
Dyck, Apostle's head; 798h. Rubens, St. Sebastian (painted in
Italy); 770. A. van Dyck, Mocking of Christ; *781. Rubens., St.
Cecilia, a masterpiece of his last period; 799. A. van Dyck, St.
John the Baptist and St. John the Evangelist; *770c. Rubens, An¬
dromeda (with the features of Helena Fourment, the painter's second
wife), a late work (from Blenheim); *832. C. de Vos, The painter's
daughters.
To maintain the historical sequence, we now return through
Rooms 62-73 to the landing of the staircase in the vestibule and by
the door to the right enter the N. wing, containing the Italian pic¬
tures and sculptures.
Cabinet 28. Recent acquisitions from the Kann collection at
Paris: Aert vun der Neer, Skaters; Ph. Wouverman, Winter
landscape; Rembrandt, Christ and the Samaritan woman (1655),
Head of Christ; J. vun Ruysdael, Windmills near the water; Gon¬
zales Coques, Patrician family; Jan Fyt, Dead birds and melon.
Room 29. Early Italian Schools (14th and 15th cent.). To
the left: 1130. Gentile da Fabriano, Madonna and saints; 1074a.
Giotto, Crucifixion; 1079-81. Taddeo Gaddi, Winged altar (in the
middle, Madonna and Child with saints); 1635. Ugolinoda Siena,
Three lifesize half-figures of saints, from the old high-altar of Santa
Croce at Florence; *1070 a. Simone Martini, Entombment; Pietro
Lorenzetti, 1077. St. Humilitas healing a sick nun, 1077 a. Death
of St. Humilitas (wings of an altar at Florence); *1062a. Duccio,
Nativity; 1072. Lippo Memmi, Madonna. — End wall: 1122. Giro-
lamo di Benvenuto, Assumption ; *1081a. Lippo Mem mi, Madonna.
— Right wall: 5. Antonio Vivariui, Adoration of the Magi; 95a.
Baedickek's Berlin. 3rd Edit. 8