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114 Section 3. BERLIN. Emp. Frederick Museum:
Vittore Pisano, Adoration of the Magi; 95. Fra Filippo IAppi,
Madonna della Misericordia; 60. School of Fra -4?io:eKco, Madonna
enthroned.
Cabinet 30. Florentine School of the 16th Century. Right
wall: -1614. Domenico Veneziano, Portrait of a girl; *73a. Antonio
Pollaiuolo, David; 100. Lorenzo di Credi, Adoration of the Holy
Child; 21. Dom. Ghirlandaio, Judith. — Rear-wall: Intarsia door
with Annunciation by Benedetto da Maiauo; above, 119. Andrea
della Robbia, Madonna with angels; 338b. A. Bronzino, Eleonora
of Toledo, wife of Cosimo I. —On the left: *90. Raffaellino del
Garbo, .Madonna and Child with two angelic mnsicians; *104a.
Andrea Verrocchio, Madonna and Child.
Cabinet 31. Glazed and painted terracotta works by the Della
Robbia family. To the right, *116p, *116n, *116r. Lucaddla
Robbia, Madonnas; rear-wall. 119d. L. della Robbia, Head of a
youth; above the door, 123. Style of Andrea della Robbia, Annun¬
ciation; to the kit, *119c. Andrea della Robbia, *116a. Lucaddla
Robbia, Madonnas; *119a. Andrea della Robbia, Annunciation.
Cabinet 32. Works by Donatello and his contemporaries. To
the right: *62. Desiderio da Settignano, Bust of Marietta Strozzi;
Masaccio, 58a. Adoration of the Magi, 58d. Four saints from the
Pisan altar 11426,1, *5sb. Martyrdom of SS. Peter and John; Dona¬
tello, *39. 'Madonna Pazzi', *38a. Bust of the youthful St. John, 42.
'Madonna Orlandini'. — Rear-wall: 99. Andrea Verrocchio, Relief
portrait of Matthias Corvinus, King of Hungary; **60a. Fra An-
gelico, Last Judgment, a masterpiece, eminent for its deep religious
feeling and charming expression; 98. Verrocchio, Beatrix of Aragon;
95 b. Fra Filippo Lip pi, St. Ambrose in the cradle (predella); no
number, Antonio di Banco, David. On the left: *69. Fra Filippo
Lippi, Madonna adoring the Child: *39b. Donatello, Scourging of
Christ; 62a. Desiderio da Settignano, Portrait of a princess of
Urbino.
Cabinet 33. Italian Plaquettes (small bronze reliefs employed
for the decoration of utensils and furniture). The Berlin collection
is the richest of its kind. The works of the more important artists
are exhibited in glass-cases on the walls. In the cabinet: Ben-
venuto Cellini, Six gold reliefs with mythological scenes. — Rooms
34 aud 35, see pp. 115, 116.
Room 36, with a Venetian painted ceiling and a chimney-piece
in the manner of Jacopo Sausoviuo. The Berlin collection of
Italian bronze and marble sculptures exhibited here ranks among
the finest out of Italy. Descriptive catalogue, with 81 heliogravures
(Berlin, 1904), 25 Jl.
To the right: 236. Donatello (?), Nude woman with cornucopia;
222. Antonio Rossellino, Bust of a child; above, 223. Cavalli (?),
Bust of Spagnuoli, general of the Carmelite order; *234. Donatello-,