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Picture Gallery. BERLIN. Section 3. 117
Child. —Rear-wall: *2o. Pseudo-Basaiti, Altar-piece, in four sec¬
tions. To the left: Giovanni Bellini, *1177a. Resurrection of
Christ, 10 a. Madonna.
Cabinet 43. Smaller Venetian Paintings. — To the right:
lx. Antonello da Messina, Portrait of a young man; *12a. Gior-
gione, Young man. — Rear-wall: 125. Fr. Francia, Holy Family;
1632. G.F.Maineri, Madonna; 112d. Ercole de'Roberti, Madonna;
17a. Cimada Conegliano, Landscape. — To the left: **259b. Se-
bastiano del Piombo, Portrait of a young Roman woman, grandly
and freely handled, painted under the influence of Giorgione and
apparently the model for the so-called 'Fornarina' (from Blenheim);
182, *320. Lorenzo Lotto, Portraits of youths. — The door in the
rear-wall gives access to Rooms 44 and 41, containing paintings of
the Venetian and North Italian schools.
Room 44. Genoese portal with the legend of St. George (15th
cent.). End wall, to the left, above an Antependium by the Mas¬
ter of San Trovaso at Venice (ca. 1500): *38. Luigi Vivarini,
Madonna enthroned, with saints; 46 a. Liber ale da Verona, St. Se¬
bastian; 37. M. Basaiti, St. Sebastian. — Long wall, to the right:
*15. Cima da Conegliano, St. Mark healing Anianus; 23. Vittore
Carpaccio, St. Peter consecrating St. Stephen as deacon; **1156a.
Carlo Crivelli, Madonna with saints; 23a. Vittore Carpaccio,
Entombment; *2. dma da Conegliuno, Madonna and Child en¬
throned, with saints. — End wall: 1156. Crivelli, Mary Magdalen;
46c. Franc. Bonsignori, St. Sebastian.
Room 41. To the left of the entrance: 51. AmbroginBorgognone,
Madonna with angels. — Left wall: 30. Girolamo dai Libri,
Madonna and Child enthroned, with angels; Bartolomeo Mimtagna,
'44b. Christ appearing to Mary Magdalen, 44. Madonna enthroned.
—Right wall: 133. Vincenzo Foppu, Pieta; 47. Mar cello Fog olino,
52. Ambr. Bi/rgogncme, Madonnas. — Retracing our steps through
Room 44 and Cabinet 43, we enter—
Room 45. Works of the Best Peiiiod of Italian Art in the
early 16th Century. To the left: Michael Angela Buonarroti,
Apollo (statuette, unfinished). *90b. Leonardo da Vinci, The
Risen Christ, between St. Leonard and St. Lucia. Though finished
by Leonardo's pupils, this picture produces a powerful impression
by the beauty of the two saints, the brilliancy of colouring, and
the charm of the landscape background. 338. Angela Brouzino,
Portrait of a youth; *246. Andrea del Sarto, Madonna enthroned,
with saints; 245a. Fr. Fravciabigio, Portrait of a young man; two
beautiful chests of the early 16th century.—End wall: 245. Fran-
ciabigio, Portrait; *209. Michael Angela, Statuette of the youth¬
ful John the Baptist, an early masterpiece (1495); *338a. Brou¬
zino, Ugolino Martelli; above, no number and 230. Jac. Sanso-
vino, Madonna-relief's.—Right wall, to the left: 213. Gaudenzio